In his thoughtful and informative essay, curator and renowned glass scholar William Warmus identifies four prominent themes in the relatively recent development of studio glass (since 1960) that provide a framework for exploring the rich variety of works presented in this book. The first theme is what Warmus has called the particular affinity between nature and the making of glass: "Where nature creates a heart, the glass artist creates a heart-felt vessel." The second is the ability of glass, equally to that of painting and sculpture, to convey the power of abstraction and color. A third theme is the prevalent use of glass--sometimes called the new bronze--to depict the human figure and animal forms. The final section deals with the theatrical nature of installations and environmental sculptures, demonstrating the surprising capability of glass to impose itself physically and emotionally on the space we inhabit, altering our very perception of it.

Warmus also provides a brief history of glass as an art form dating back to ancient Egypt, and places contemporary glass within the context of contemporary art and theory at large. In addition, the book includes selected artists' bibliographies and a chronological bibliography of contemporary glass that lists key historical events, general trends and developments, and important publications. Fire and Form offers a unique perspective on this vital and "intoxicating" medium, and its publication is a welcome event for all lovers of glass--those who make it, those who collect it, and those who admire it. 
Price: 70.00 USD